Track. Your. TV. | May 21, 2012 Monday @ 1:32 am UTC
A town ends up being left deserted. An Angelic is on the edge of desperation. People will die and ash will fall. Nothing can stop the inevitable.
Paul returns home following his time in hospital. Meg, Mac, Anna and Jay are tpleased but DC Armstrong is concerned with the escalation in missing persons and murder cases in the local area. A crisis centre is opened at the school and Paul’s family go there hoping to find Anna’s boyfriend, Steve. Angelics Alice and Philtry to convince DC Armstrong to evacuate the whole town. Neil and Sarah go ahead with a plan to learn more about the threat posed by the Fades who are now being reborn in human form.
Paul’s family and friends find it hard to deal with the aftermath of his accident. The Angelics are torn apart by some moral compromises. A new man in town with deadly intentions causes problems. Mark is quizzed by DC Armstrong as Sarah’s Fade looks on desperately. Paul’s loved ones have to face the shocking choice that the best thing for Paul might be to let him go.
Paul’s decision to attempt to live two lives end up being put to the test after his powers grow and a new host of Angelics arrive to put him through a trial by fire. Mark has been looking into Sarah’s past and found out that she spent time with Neil in a psychiatric ward. He ends up telling the police that he believes that Neil is involved in her disappearance. Paul is seen kissing Jay by Anna and her friends and he accidentally demonstrates his powers, scaring all of them. Mac’s upset because Paul has forgotten his birthday and their friendship later takes a dramatic turn for the worse.
Paul finds himself having to make a tough choice as the threat of the Fades increases dramatically. Paul is still suffering with terrifying visions which are now involving the death of his family. Neil takes Paul to see Eric who foresees Paul’s importance in the fight to save mankind. Neil wants Paul to say goodbye to his family and friends as he can no longer live a normal life.
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